That type of content is not what this sub wants to focus on, and if you're interested in cinematography as a profession then you'd do well to avoid v-logs and travel videos as well!Ħ: Color Grade Posts must be compared to REC 709, not to Log/flat footage. As voted by the community in general, none of the above types of submissions are allowed on this sub.If you are posting your own work in any capacity, select Original Contentĥ: No V-Logs, Travel Videos, or Crowdfunding Submissions If not sure which it should be placed in, choose ''. When posting, flair your post with the desired category. In an effort to organize the wide array of posts, the sub will broken up into 7 categories:.

However, one would do well to refrain from down-voting, name-calling, insults, flame wars, or other impoliteness or rudeness when interacting with others on the sub. As you'd expect then, opinions can sometimes be divisive.

This means job listings, crowdfunding, equipment sales/rentals, advertisements or other material deemed solicitous. Solicitation of any kind will not be permitted.You many NOT post work simply to get views or subs! Talk about what you did right, what you did wrong, and where you need help. If you are a student or amateur, you must seek feedback on your work. This includes, but is not limited to: what camera/film the project was shot on, techniques used, lights used, difficulties and limitations experienced during production. Original Content (your or a friend's work) must be accompanied by no less than a 300 character description of the project submitted as a comment to your own post. Other BE SURE TO READ OUR FAQ! Check out our FAQ post for information on common terms and concepts, recommendations for cameras, lenses, and lighting kits, along with info on common cinematography myths! RULES 1: Posting your own work? Make a Submissions Statement! Through the use of lighting, composition, equipment choice, and a variety of other factors, a cinematographer is able to tell or enhance a given story. 'Cinematography' pertains to the art and technology of motion-picture photography. This helps minimize reflections off the filters from bright light sources striking the filters.Hide Self Posts WHAT IS 'CINEMATOGRAPHY'?

The clamp at the top of the matte box secures the filters so they will not fall out unexpectedly.

You can securely insert up to two 4x4', 4x5.65', or a combination of those filters directly into the matte box without using a filter tray.

Mounting the matte box to your support rods using the included 15mm rod clamp allows you to use lenses with a rotating front. To prevent the matte box from rotating when clamped to a lens, be certain to use lenses with an internal focus design. It clamps on lenses with an outer diameter of 114mm, or smaller if you use step up adapter rings, not included.

Made of aluminum, stainless steel, and an elasto polymer, the Misfit Atom is designed to be extremely strong and lightweigt.

This makes the matte box suitable for use with gimbals and Steadicams, and the removable hood makes the matte box an excellent choice for aerial shooting. The matte box with hood weighs in at under 7 ounces, only 3.5 ounces without the hood. The removable flexible hood is built to hold its shape over time, even in temperature extremes. The matte box provides a wide field of view suitable for many wide angle lenses even with two filters mounted. The included A.R.F (Anti-Reflection) bracket tilts your filters to help minimize reflections. It holds up to two 4x4 or 4x5.65' filters without using filter trays. This kit includes the Atom Misfit matte box, a flexible lens hood, an A.R.F. The Misfit Atom Matte Box and 15mm LWS Rod Clamp from Bright Tangerine is a small, lightweight, yet strong clamp-on matte box for lenses with an outer diameter of up to 114mm. Bright Tangerine B1230.0012 Misfit Atom Clamp-On Matte Box with Anti Reflective Tilt Bracket and 15mm LWS Rod Clamp

Bright tangerine misfit atom matte box